Showing posts with label thoughts. Show all posts
Showing posts with label thoughts. Show all posts

Contemporary Photographers

I visited The Photography Show at Birmingham NEC today, where I heard two interesting talks by contemporary travel/documentary photographers of National Geographic fame. First, Steve McCurry and then Joe McNally.

McCurry is perhaps most famous for his 'Afghan girl' image, which appeared on the front cover of National Geographic in 1985, see here. He related the many challenges he had faced in travelling to some of the most dangerous places in the world, and how most of his street portraits were made by selecting a suitable back-drop and natural lighting, and then simply waiting for an interesting subject to come along.

But he also showed himself to be a master of subtle artificial light effects in his shots for the Pirelli calendar, in which he also broke away from tradition and avoided nudity. He preferred the use of constant lighting rather than flash as he like's to 'see the light'.

He also gave some good examples of how his imagery had helped to communicate the plight of people in crisis-ridden countries and had directly led to some of them receiving help.

Joe McNally is well known as an exponent of on-location artificial lighting (see in particular his book The Hot Shoe Diaries), but over the course of the hour also revealed himself to be modest, self-deprecating and very funny. His tales of crazy schemes dreamed-up and then bought into by editors were at times hysterical, as was his wickedly ruthless humour at the vagaries of the world of journalism.

His more serious side came out when discussing his photographs of survivors of 9/11 World Trade Centre attacks. What he made clear is that he feels portraiture is all about being sensitive and building relationships, some of which he has sustained over decades.

During the question and answer session, McNally came out with a quote, which if I recall it correctly, goes something like this:

'As photographers.....or aim is to communicate with thousands of people who we shall never meet.....'

References

Newman, C. 2014. A Life Revealed - National Geographic Magazine. [online] Available at: http://ngm.nationalgeographic.com/2002/04/afghan-girl/index-text [Accessed: 3 Mar 2014].

Mcnally, J. 2009. The hot shoe diaries. Berkeley, CA: New Riders.

Joemcnally.com. 2014. Joe McNally’s Blog. [online] Available at: http://www.joemcnally.com/blog/ [Accessed: 3 Mar 2014].

Commoditisation of photography

I have been reading 'The Photograph' by Graham Clarke, supplied with my course materials. Had a strange thought that the effect of the launch of the Kodak Brownie in 1900 may be somewhat mirrored in what's happened in the last decade or so with the smartphone and Internet.

The Brownie put cameras into the hands of many more people: for almost 60 years previously it had been the preserve of those that could afford to make or commission a camera, which was more like a hand-crafted piece of furniture than a tool.

112 years after launching the Brownie, Kodak filed for Chapter 11, so I wonder how 100 years from now how people will reflect on the impact of the smartphone / Flickr / Instagram / citizen-journalism generation on photography. I also wonder who will have survived from the current crop of manufacturers, if any, because, as Thom Hogan says here, it's just possible you already have the last camera you'll ever need...

References

Clarke, G. 1997. The photograph. Oxford: Oxford University Press.

Wikipedia. 2014. Brownie (camera). [online] Available at: http://en.wikipedia.org/wiki/Brownie_(camera) [Accessed: 17 Feb 2014].

BBC News. 2014. New Kodak emerges from bankruptcy. [online] Available at: http://www.bbc.co.uk/news/business-23952800 [Accessed: 17 Feb 2014].

Hogan, T. 2014. Last Camera Syndrome | byThom | Thom Hogan. [online] Available at: http://www.dslrbodies.com/newsviews/february-2013-nikon-newsvie/last-camera-syndrome.html [Accessed: 17 Feb 2014].